I know, I know … I know. Wrong holiday, dude! Christmas was three months ago—this one’s supposed to be about Jesus!
Believe me: in just a ten-day survey, there were Jesuses, crucifixes, arrows, death beds, and blood aplenty. Dyed eggs and bunnies? Notsomuch. If your author had properly thought ahead, maybe he’d have been able to put together a legit Easter sud de la frontera post, but this Easter—at least, here at The Orbit—you’re stuck with Mary.
But with Mary—Mary!—we can’t keep away! Pittsburgh loves Mary, but compared to central Mexico, she may as well be Roger Staubach. Mary is ev-ery-where: Painted on the stucco walls of hillside homes and carved into public statuary. She’s mass-replicated on keychains and tchotchkes, trucker caps and shot glasses. And the churches—holy heck! The churches make our over-the-top look under-the-radar. Mary on high with cherubs and well-wishers; Mary chilling in her clamshell crib, decked-out in a crown-like halo and office-to-the-club goldleaf onepiece.
It’s Easter—who’s got time for this blathering when we’ve got teeth to rot and guilt to lay down? Have a nice Sunday, whether you observe the holiday or not. Remember: it’s nice to be important, but it’s more important to be nice.
Everything under the sun! Everything for everybody! Everything to wear!
Believe it or not, The Internet didn’t invent superlatives, big promises, and in-your-face advertising. No, it just ceased to make them mean anything.
We’re back with our second catch-all review of the ghost signs cleaned out of the attic. This time: house goods—department stores, clothing, furniture, hardware—you get the idea.
Blocked by a freestanding billboard for decades, the advertisement for Tom Tucker Southern-style Mint Ginger Ale may as well have been unearthed by archaeologists when it arrived out-of-the-blue a few years ago.
A person can still purchase Tom Tucker, but it won’t come in a 32-ounce green glass bottle anymore. Looking every bit the champagne of Southern-style mint ginger ales it is, the big bottle was painted directly onto a two-story brick wall of a row house along Brighton Road probably 60 or 70 years ago.
Ghost signs, though—the original “ghosts”! Advertising, from a time before billboards were as ubiquitous as they are now, was created by sign painters directly on the brick walls of buildings in prominent places. We’re lucky so many of them survive and—for the companies that persist, at least—one has to believe it was a solid investment to pay for one wall in 1960 and still have it working for them today.
We’ve got so many ghost sign photos in the backlog that we’re going to break up the collection into some themes. This week: food & drink edition. We’ll get to the other stuff soon.
Soda-Pop … and other beverages
Junk Food Junkies
Flour Power
Notes:
[1] Cox Distributing still sells cold beer from this location, but the style of sign painting and subsequent meter placement suggest this may be from an older business.
[2] While this Clark Bar ghost sign looks like some holy grail of the genre, Orbit readers informed us it was created for the film Fences which filmed in the Hill District in 2016.
[3] No, you can’t read the name DeMiller’s in this sign, but somehow astute Orbit reader Maggie Ess identified the building as home to the Keystone Potato Chip Co., 6635 Kelly Street, maker of DeMiller’s chips.
[4] Kuhn’s Quality Foods is still very much a going concern with eight stores in the region, but this brick building on Perrysville Ave. no longer hosts one of them.
One would think … well, this one would think a lot of things that don’t turn out to be anywhere close to reality. One would think we would have run out of babies by now—no one knows where they come from! And you’d think every square inch of human flesh would be tattoo’d by now, what with the prevalence of retail storefronts that administer ink.
As much as we’d like to ask the hard questions around chicken fingers and vaping, political candidates and exactly who thinks Fred Armisen needs to keep appearing on television screens, this post is about that most evergreen of Orbit topics—how, despite what one might think, we never run out of new renditions of the Pittsburgh skyline. They’re littered throughout the metro area with a frequency so dense most take them for granted. But what about the vigilant eyes of the Orbit? Don’t worry—we’re still looking out for you.
Here then is our latest collection—the eleventh in this series—of murals and store signage, handmade and professionally executed, all featuring downtown Pittsburgh’s familiar peaks: PPG Place, the Highmark Hypodermic, USX tower and the rest.
Until next year—and it will probably be pretty much exactly a year from now—keep your feet on the ground, and keep reaching for the skyline.
On this cusp of a brand new year, we’re going where we’ve never been before—to the world of crowd-sourced collaborative songwriting! Your original words + Orbit‘s crack team of music industry has-beens = guaranteed hit records! *
Song poems started as low-rent, back-of-the-comic book scams—and maybe they still are!—but at least this one doesn’t cost you anything. Your original ideas put into words coupled with OrbitSound Laboratories veteran song stylists’ studio wizardry can make your dreams come true and turn you into music royalty—though it probably won’t generate any royalties from music.
If a person’s eyes are the windows to their soul, then actual windows must be the eyes … to the outside world? redecorating options? exciting retail opportunities?
As we approach the end of another calendar year, some of us may reflect with the windows to our souls, but the looking back is probably more metaphorical. Today, though, we consider a year’s worth of very literal windows. It was shocking the number of glass-paned pictures that piled up in the ol’ photo log for 2023—so many that we could have filled multiple blog posts worth, but we decided to stick to the greatest hits.
The windows of homes are here—specifically row houses, for which sidewalk-facing windows have always served as tiny sets for dramas and expression—but also retail storefronts, industrial buildings, and one cemetery crypt.
The cemetery outliers are all here. Silver gelatin flaking with weathered age. Sun-soaked and disappearing to time. Cracked by a century’s worth of freeze-thaw cycles. Behatted with a gaping wound across the brow as if struck by a vandal’s hammer. In one case, marvelous indigo Lucite glowing brightly in the afternoon sun but no longer protecting any recognizable image within.
Such is the fate of an early technology meant to immortalize not only the name of the departed, but also their visage.
In our last venture to Economy Cemetery, we focused on a particular subset of ceramic photographic discs inset to the cemetery’s grave markers. Those pictured appear to have left the earth’s bounds and gone straight into the aether. This week, we’re looking at another grouping of damaged portraits from the same hallowed ground. These are the crook’d and crack’d, the maimed and disappeared. They’re equally beautiful, magical, and tragic, but by a whole different measure.
For every portrait, there is a profound revelation in recognizing the exact moment in time when we experience these strangers’ final posthumous interaction with our own. Nothing lasts forever and any attempt to contradict that basic truth is doomed to its own cruel fate.
Enjoy me now, each of these disappearing portraits seems to say, we won’t be here forever.
The woman is still recognizable, but just barely. The pale white complexion of her face and forehead is clear and intact as is her uncharacteristically short, slightly disheveled brown hair. She’s dressed in a Victorian-style formal high-necked gown, but in the photograph the dress looks full-on psychedelicized. One side of the woman’s head is disintegrating right before our eyes.
The whole scene looks like a pixelated digital effect created for low-rent science fiction, but this one’s falling apart the old-fashioned way. A hundred years of living outside in harsh Pennsylvania winters with toxic heavy industry air have started to corrode and dismantle this relic. That fact is both tragic—if you wish to see the woman’s image preserved—and beautiful in the haphazard way the photograph is dissolving. She’s not alone.
It was just about seven years ago to the day when The Orbit first tripped across the early-last-century ceramic photo insets at Loretto Cemetery. It was our first exposure to the phenomena and entrée to the fever. Along with the majorly disproportionate number of these at the little cemetery in Arlington Heights—and the near complete absence of them at much larger cemeteries—the experience totally flipped our collective wig.
Since that time, every trip to the boneyard comes with some amount of spying for these “posthumous portraits” both as historical record and the fascinating aesthetic of the completely random ways they weather and age. We dug deep. Not just at Loretto, but also Workmen’s Circle Branch 45 and Beaver Cemetery, where pre-war photo graves are similarly in great supply.
Nothing, though, had us prepared for the overwhelming volume of portraits available at Economy Cemetery in Harmony Township, just outside of Ambridge. The number was so great, the occurrence so common, that we abandoned any hope of a true cataloging of the form and stuck to the wild ones—the ghosts, disappearing acts, invisible figures, full blown possession.
There were plenty in just this minority of the total number that we’re splitting the subject into a two-parter. This week, the apparitions; next time, the crook’d and crack’d.
A note on the photos: You’ll notice there are no attributions to the people photographed as we’ve tried to do in the past. That’s in part because there are just so many to deal with and the task quickly became untenable. More than that, though, at least a third of the photos are from grave markers where the text is no longer legible and probably another third are in a variety of non-Roman alphabets—Greek, Cyrillic—that your author wouldn’t know how to represent accurately.
Your author won’t pretend to know what Wu-Shuryu-Do—The Flowing Way is, but it sure sounds cool. That said, a picture is worth a thousand words and what we don’t know by name, we sure get with the accompanying artwork.
The scene: two buff fighters are flexing and straining in combat. On the right is a warrior dressed like so many kung fu movie villains—shirtless, but with arm braces, wearing tight black trousers with the legs wrapped in some type of binding fabric. A thick red sash is worn about the waist with the end dangling for jaunty effect.
His foe is literally flying through the air with a leg extended in a kick that could surely split stone. This one didn’t skimp on the wardrobe on the way to the fight, though. He’s in a Tom Jones-style combat singlet accented with a necklace of oversized beads or baubles. A decorative toque literally tops the outfit in a style that would look equally smart on the ski slopes or the runway.
And can we say, what a location for mano a mano! We hope these guys can pause for a minute between bone-crackings to take in the view. Right behind their sweaty hindsides lies a breathtaking waterfall pooling into a misty river running between rocky peaks and twisting trees. If you’re looking for an Instaworthy place to have your neck snapped, The Flowing Way has got the place.
Not all martial academies (are these dojos?) are as invested in the arts as Wu-Shuryu-Do. The Mt. Washington storefront studio has extended the custom window art to other panes of its Southern Ave. location.
Enough of them are, though, that original art decorating—and dramatizing—karate schools and Tang Soo Do meeting spots is a legitimate thing. Sure, it’s a little bit frightening and you’ve going to need expert timing, but we hope the trend continues as long as the river flows and the grasshopper learns from the cobra.